[jet set] Packing for the United Kingdom, a few thoughts

Our family will be enjoying a rare (for us) treat this summer: an actual get-out-of-town vacation!  Tickets have been purchased, hotels and B&Bs booked, car rental reserved…  There is no backing out now!  As we are traveling with a three year-old, we will not be sticking to a strict schedule.  We have a list of sights we’d like to see, but are going to play it by ear when we arrive.

With most of our flexible agenda decided, my thoughts turn to other preparations—specifically packing!

Four people, fourteen days, four different overnight locations.  We’d like to travel as light as we can.  Ideally, each person should have no more than one bag.  Preferably, that bag should be carry-on sized.  I have yet to inventory our luggage, though, so we may have to settle on whatever sized bag we have at our disposal.

Most of our stay will be in Bed & Breakfast establishments, so in room laundry is limited to washing a few items in our ensuite sink.  I certainly do not want to spend any of my time off at a British laundromat, so it’ll be necessary to pack a variety of clothing.  Thankfully, most of our trip will be spent enjoying museums, so no need for specialized garments (beach clothing, ski attire, et cetera).

The last out-of-country trip that I took, I decided to try the valet packing technique/bundle wrapping.  I used tissue paper and folded the clothing into the requisite bundles.  It worked beautifully in keeping my clothing mostly wrinkle-free.  But this time around, I want to give the rolling method a go so as to not feel pressured to completely unpack at every destination.  (Did I mention that there are four?)

Since I’ll be folding and rolling my clothes, wrinkle-free fabrics seem the best bet.  Fortunately, there are a lot of beautiful, classic knit and jersey items that are also mostly wrinkle-free.  I decided against wearing vintage for this trip because we may have to check a bag and lo! would I be upset if I lost any of my favorite pieces.  Anyway—on to the list!

I find that for a trip like ours, two pairs of shoes are needed.  No more than three should be taken.  I’d like a pair of shoes well suited to hours of walking.  This pair should also be able to handle cobblestones and rougher terrain without compromising my comfort.  I used to own such a pair—purchased specifically for our trip to Ireland back in 2010, but since we moved into our haus I haven’t seen them.  If we cannot find that pair, I may be stuck with bringing my well-loved Birkis.

The second pair will be my Dansko sandals.  I’ve been able to wear these beauties all day at Disneyland with 100% comfort.  I know that they’ll be great for long walks, but probably not too grand on cobblestone.  However, they dress up nicely and we do have one night at the theatre already planned for my daughter and I.

IF I bring a third pair, I’m thinking of packing my running shoes.  In the off chance that I am able to go for a jog, I’d like to be prepared.  Sure, I could also use them for some touristy errands, but we’re going to the UK.  To many Brits, the sneakers with everyday clothes is an immediate call-out for the touristy American—a designation I’d like to avoid when simply glanced.

Now that shoes are settled, it’s time to think on the clothes.  I like to break it down thusly—first choose a handful of classic neutrals that layer and pair well.  A classic tee, black trouser, neutral tank, cardigan… 

Next, select some separates to add color and interest.  Again, I go for classics over trends, since I tend to dress more retro-inspired when I’m not wearing actual vintage.  Finally, choose a handful of accessories to finish the look.  Scarves will be my go-to here.

Outer wear is easy in my case as I still have the raincoat I purchased in Ireland.  It’s a beautiful gray, looks great, fits beautifully.  I did also recently score a red London Fog ladies coat that I will likely lend to my daughter.  Either option works great and will be worn on the plane so as to be immediately available upon landing, should we need it, so it will not take up valuable space in the suitcase.

Here is what I have on-hand, besides the items listed above, that I’m considering:

• White with red polka dots blouse
• Gray, plain cardigan
• Gray, denim, sailor-style pants
• 2 black, convertible dresses.  One is from a company that no longer exists, sadly.  The other is from Hayley Starr.  Both also double as skirts.
• Black, lacey, long sleeve top
• Two camisoles: one white, one black
• A variety of scarves
• Classic sliver Tiffany necklace
• Classic silver Tiffany charm bracelet.

Here is what I’d like to round out my list:

• A colorful dress—ideally, a wrap dress or other classic silhouette
• One more pair of pants—ideally in a neutral color, perhaps capri-length
• A classic long sleeve white tee
• One or two more shirts—ideally a boat neck with stripes, or a colorful classic blouse

So far, I think I’m on the right track.  If done right, I’ll have multiple outfit combinations to wear that will easily fit into a carry-on sized suitcase.

Do you strategize your packing?

[in stitches] A Casual Shirt for My Fella

New shirt!

A few weeks ago it was so uncomfortably warm that the idea of cooking dinner brought on fears of combusting from the heat.  Our solution was to dine out at an air conditioned restaurant.  The second time that went out, I noticed my husband was wearing the same shirt as before.

"It's the only nice, comfortably shirt that I have," he explained.

He does have a few nicer-looking button-up shirts, but they're mostly polyester.  The shirt he was wearing was 100% linen, the perfect choice for a hot day.

In-progress

When we returned home after dinner, I began to look up possible shirt patterns for him.  I wanted a short-sleeve, button-front shirt with a collar, preferably with a yoke, too.  Vogue had exactly what I needed!

The next day, I headed to my local fabric store.  My husband wanted linen (which I can get inexpensively at LA's fabric district), but I thought I'd see what was available nearby.  I found two good 100% cotton options; a tiki print in blues and browns, and a red plaid.  I bought both.

The pattern recommended no obvious diagonals, so I purchased more of the tiki print than recommended.  Really the only issues were the yoke and collar, but the extra fabric allowed me to cut them on the cross grain to keep the pattern upright.

His "catalog" pose

The pattern and instructions were pretty straight-forward.  The project worked up quickly and easily. I was able to do everything by machine, too; including the buttons.

My husband loves the new shirt and claims it to be very comfortable.



While I've started the red plaid shirt, I haven't found time yet to finish it.  

[in stitches] A New Dress for Daughter

Years ago I picked up a vintage reproduction pattern of a tabard-style dress.  The pattern, no longer in print, featured a quick-to-sew "Walk-Away-Dress" that had no sewn sides.  Instead it wrapped from front to back, and back to front to create the closures at the sides.  I made one for myself and liked the dress well enough, but there were a few issues.  Minor ones, that kept me from making any more dresses from the pattern.

While browsing through one of my favorite sewing blogs, I saw an older post about the Walk-Away-Dress.  In the post, an updated version of the dress pattern is featured.  Alas, THAT gorgeous pattern has not been reissued.  But a similar pattern from Vogue was reissued (and is, of this writing, still available).

But there was still something that kept me from making the dress.


Flash forward to a week or so ago.  I had finished a very sewing-intensive costume and wanted something fun to make. Plus, I was hoping to work on something that could try out some new skills.

I decided to make the Vogue dress, but not for me, for my daughter.  I also decided that I wanted to try my hand at pattern drafting by adding a peter-pan collar to the dress.  My daughter chose a darling cotton lawn fabric of blue with dots of white and green.  For the collar, we settled on a true red fabric.

As the pattern that I picked up ages ago was the wrong size for my girl, I did have to due some alterations.  I was excited to try out Nancy Zieman's Pivot and Slide technique.  The adjustments were so easy to make using the pivot methods and quickly produced a new, well-sized pattern.

I used my toile to underline the bodice, but decided against underlining the skirt.

The dress worked up quickly, though I did pause at one point to see if my local sewing machine shop had a specialty foot for attaching bias tape.  (They didn't, alas.)





















In putting together this dress, I did feel pretty good about my collar pattern and how that all came together.  It also proved to be another lesson on bias binding, but I've only concluded that I'd really rather just get a specialty foot and technology to the fiddly work for me.  And I think I may become a devotee of the pivot and slide technique.

I would like to make this pattern again--again with the collar, too.  I think that the collar really sets this dress apart.  Linen may be a nice choice, or another cotton lawn.  But if I did it for myself in the cotton, I would probably underline the skirt, too.

Do you like to try out new skills when you sew?  What sort of projects do you enjoy?

Gatsby Costume Event

Being a member of the Art Deco Society of Los Angeles has its perks.  One such perk is members exclusive events and we had one Sunday the 5th at a gallery in Culver City.  The event featured costumes, props, and sketches from the upcoming Luhrmann film, The Great Gatsby.

Now, before I voice my opinions about the event, I should provide a bit of background.  Among the LA area vintage community, there is a LOT of skepticism about this latest adaptation of F. Scott Fitzgerald groundbreaking novel.  From the casting, to the costumes, to the music... there is a great deal of room for achingly frustrating choices.

Having mentioned that, I have to say that I enjoyed--for the most part--what I saw at the event.  Historically accurate costumes?  Oh, heavens! no.  Not as such, though there were a few according to the sketches.  So why did I like what I saw?  Brace yourself for more extrapolation.

1920s?  Not so much

See, I understand that when telling a story visually there are concessions to be made.  On the page a writer can provide depth and insight that may be critical to understanding a particular character.  Yet when a story is told visually, other tricks must be employed to communicate hints toward personality.  Costume, hair, makeup are all areas that can help to evoke suggestions about character.  I recognize this.  I know that since its inception Hollywood has used costume to that end.  One of my favorite period costume designers, Adrian, built highly impractical and often fantastically costumes--even for "modern" stories and characters.  So to expect a major film to accurately represent the Jazz Age visually is setting one up for disappointment.

Spy that background!

What I saw at the event was spot-on in evoking character and personality.  I suspect readers who are familiar with Fitzgerald's work could have easily identified many of the novel's characters simply through the sketches of their clothes.  I certainly was able to do so.  (Alas, many of the sketches were not to be photographed, hence the lack of photo evidence here.)

Additionally, with a few exceptions the clothing paid homage to the silhouettes and styles of the 1920s. The average person would be able to immediately guess at the era from the clothes.  And lastly, all of the garments and sketches were gorgeous.  Catherine Martin is a wonderfully talented designer.

BATS!!

All that said, it may be telling that my favorite two items from the show were not Gatsby items.  The gallery used an authentic, antique Nouveau lounge built-in as a backdrop that was breathtaking.  In the same diorama was a reproduction chandelier.  Those two goodies took my breath away.  My photos do not do these items justice.  If you are in the LA area and are a fan of the era, do go and see them for yourself!

Despite my enjoyment of the costumes, please do not expect to see a glowing recommendation of the film.  I still suspect that I will love it (a rare possibility), or--most likely--I'll feel that it was a missed opportunity to tell a terrific story about an endlessly fascinating time and people.

Are you looking forward to Gatsby?

A few more photos:

Century Guild Gallery
6150 West Washington Boulevard
Culver City, CA 90232
Gallery may be by appointment only, check the site for details http://centuryguild.net

On dress

Several weeks ago, a friend of mine vented to Facebook about an uncomfortable experience they had while dressed in vintage attire.  Apparently a couple of uncouth cads approached my friend and proceeded to berate her for "celebrating a terrible time in history."  After all, it was during the past that we had mass oppression, bigotry, racism, sexism, Nazism, and a whole slew of other offensive -isms.  These boorish boobs actually tried to shame her for her clothes.  I suspect the irony was totally lost on them.

Now, I have been dressing in vintage and vintage-styled clothing for many years.  Not once have I been chastised for it. (Perhaps being a big girl helps here.) It seems that most people recognize that an appreciation of the fashions, hairstyles, shoes, and art (music, films) of an era does not equate to accepting the entire culture without reservation.

For all we know, Margie here could be pointing
out key points of her Feminist Manifesto

Lest anyone doubt, let me take this time to put any questions to rest:  I am a feminist.  I am an open-minded thinker.  I am a supporter of equal rights.  I am an environmentalist.    And, yes, I dress like a woman of the past; a woman who may have struggled had she shared my views during her time.

While I may daydream about how wonderful it would be if folks returned to a few habits from the past, oppression is certainly not one of them!  (But while we’re on the subject, might I just suggest that we do make an effort to not look like we’re ready for Zumba class when we are going out to dinner?)  I wear what I do for the same reason that you do: I like how I look it them/they're comfortable/they're clean.  

My clothes are not a political statement. My hair isn’t meant to suggest that I want to return to an era of segregation, sexism, and oppression.  My home decor does not imply anything other than my taste in furniture is decidedly different from the average Ikea shopper.  If you want to know what I think about a particular subject, you'll get a much clearer answer by actually asking me versus just assuming based on the sort of frock I put on. ;)

Rat Pack Weekend & Birthday Extravaganza

I confess.  Up until this past weekend, the only time I'd ever spent in Las Vegas, Nevada was a layover in the airport.  As I'm not a big oontz-oontz club-goer, nor do I gamble, there was really no huge desire to go to Sin City.  At least, not conventionally.

Years ago, some friends of mine and I had discussed the idea of going to Las Vegas for a Rat Pack-styled weekend.  Now THAT sounded interesting.  So when the idea was resurrected to celebrate the milestone birthdays of four fabulous fellas--I was giddy about going.

This past weekend was our Rat Pack Birthday Extravaganza and it was a royal hoot.  Major props and tremendous thanks go to Kerri "the enabler" Morin for producing the affair.  She scouted the locations and picked the times and places for our meet-ups throughout Vegas.  Our weekend would not have been nearly so much fun without her hard work.

Kerri & Carol Ann at Oscar's

Friday night we meet up at the newly renovated Plaza Hotel at Oscar's Bar for cocktails.  Oscar's tagline is Beef * Booze * Broads.  While I was there to only sample one of their offerings, I couldn't help by giggle.  And they did a great job on that count, too.  Oscar's made a tasty, well-balanced Sidecar.  The mixologists even gave the Monkey Gland cocktail a try and did a decent job.

My Brian at Oscar's

Afterwards, we wandered Freemont Street and settled in at the Gold Nugget's aquarium bar for more chatting and one more round.  The aquarium was gorgeous, but the Sidecars were just a little too sweet.

Gold Nugget

Jeff & Brian S.

Yours truly, Cat & Theresa

In hindsight, I wish that I had scheduled more of our free time at Freemont Street.  It was the classic Vegas "strip" back in the day.  It had just the right mix of tacky, naughty, and suave.

The birthday celebrations began at 3:00pm on Saturday at a Casa Fuente, a cigar bar in the Forum Shops.  Here we all raised a glass to celebrate Jeff's birthday.  I enjoyed a Jimi Hendricks cocktail.  Hendricks gin, Lillet Blanc, simple syrup and white grape garnish.  Though a touch too sweet, it was one of the better cocktails of the evening.

Casa Fuente

Jeff and his "minion" cap

Theresa, Kristina, Kerri

While I abstained from purchasing a cigar, those who did enjoyed them.  I, instead, stuck to smoking my ladies vintage pipe.  It's a gorgeous red bakelite pipe with a corncob bowl.  It has a darling rhinestone embellishment on the stem.  Perfect accessory for my cherry dress.

Smoking section

RAWR

At 5:30pm we all convened at Vesper in the Cosmopolitan Hotel.  I was very much looking forward to this bar as their menu features classic cocktails and the bar's own interpretations of those cocktails.  Alas, the drinks and the service were a disappointment.  My Corpse Reviver #2 was only okay (and I had to ask for the classic stemless cherry garnish).  Other cocktails were barely drinkable, and the service was painfully, unnecessarily slow for a mostly-empty bar with five mixologists.  Thankfully we didn't let the bar dampen our celebrations of Brent's birthday too much.  Brent's cheerful, goofy attitude was infectious and we laughed--a LOT--as we continued our celebration.

Brent goofs off

After Vesper, we were free for dinner and a change of clothing.  (It was at this time that I left my camera back at our room.  Thank goodness others had cameras!)  We met up at 8:30 at the steakhouse Smith & Wollensky to celebrate Brian S's big day.  Brian's father had called ahead and reserved a private room for our party, which was probably for the best as we all continued to be boisterous.

The food and deserts were amazing, but the drinks were unfortunate.  My Sidecar was made without fresh lemon juice and their Negroni featured a very strong dry vermouth taste that was off-putting.  Clearly this was a place for wine, not cocktails, so I enjoyed a lovely muscato with my creme brule.  It was a perfect combination.

While here, Mark and Cara used their Polaroid 100 Land camera to take portraits of us all.  Ironically, I had picked up a Polaroid 100 weeks ago, too.  Great minds and all that.  But Mark and Cara were smart enough to pick up a flash kit with the camera, which I did not.  All attempted photos taken indoors with my camera were just too dark.

Brent & Kristina

Carol Ann & Kerri

Cara & Mark

Cat & Jeff

Yours truly & Brian M.

Theresa & Brian S.

The boys

After Smith & Wollensky, we were off to finish off the birthday celebrations by raising a pint to my dapper fella, Brian M.  Where else to toast an Irishman for his birthday?  Why, Nine Fine Irishmen in New York, New York, of course!

Scrunchy face and the birthday boy

Never forget your towel!

With the birthday celebrations finished, we wandered the Strip for a brief moment before deciding that it was time to call it a night.  My Brian, Cat, Jeff and I followed Theresa and Brian back to their hotel, the Mandarin Oriental, for a night cap in their bar.  A gorgeous view, a great Negroni and a quiet end to the night.  Perfect.

The following day we decided to be lazy and lounge around our room (and enjoy the jacuzzi) before it was time to head back home.  It was a great way to top off the weekend.

My daughter's favorite thing from the weekend: jacuzzi tub

A few final observations:

• When dressed in Rat Pack era finery, expect to be gawked at and commented to all weekend.  Most comments will be complimentary, but you will get the occasional weird one.  Weirdest one of the weekend: being called Mary Poppins.  ???
• Drinks on the Strip are not nearly as strong as drinks on Freemont Street.  That said, while I drank a LOT, I was never more than buzzed.  
• Evil Dead: the Musical, in 4D--oh, if only I had known and been able to schedule time to see it.
• The idea of a 40 foot tall stripper is much more interesting than the actual thing.
• Alas, I only saw one working girl while in Vegas--but, boy howdy! was she a sight.  Bolted on boobs, inflated lips, bleach blonde hair, and a feather boa!  Oh, and she thought we all looked great, too.

HUGE THANKS to Kristina Gundersen-Rudmann and Cara Zitny for additional photos!!

[the medieval hausfrau] a clothing conundrum

I took some time this weekend to be "The Medieval Hausfrau."

Well, okay, that isn't quite true.  But "The Early Period Hausfrau" doesn't play on the name of this blog quite as well.

Viking-era 

I decided to pull out and wear a Viking-era dress and apron that I made years ago.  Viking-era clothing is certainly more comfortable than my usual Tudor-era garb, and as temperatures are getting warmer and warmer, I wanted to insure comfort.

Tudor-era

Unfortunately, I looked awful.  While much of my ghastly appearance could be directly attributed to my status as "Mom of a Toddler," some could not.  The dress just did not fit.  That's the bad news.  The good news is that my dress did not fit because it was too big.  I've lost too many inches for it look flattering, apparently.  The fullness of the skirt and apron were just perfect for casting my figure in a very prenatal light, apparently.  Thank GOODNESS no one asked me if I was pregnant.

In light of this new conundrum, I realize that I need to get behind my sewing machine again.  Frankly, I would LOVE to be sewing, but again my role as "mom" keeps me busy in just such a way to make sewing difficult when it's only the boy and I at home.  Since I have to be choosy about when I am able to sew, I think it best that I be selective about what to sew.

Bliaut

Prior to Declan, if a period silhouette caught my eye, I sewed up a basic dress.  As such, I have a couple of bliauts, a couple of Gothic fitted dresses, a couple of Viking-era dresses, some later period kirtles and over gowns, too.  Post-Declan I have to be particular and I am faced with a decision or two.

For anyone unfamiliar with the Society for Creative Anachronism, I'll provide a (very) brief summation of why I am even discussing old clothing.  My husband and I participate in a history group that attempts to recreate much of daily life, without the bad things like plague, for people who lived in the periods between 600 and 1600 AD.  So, I need something to wear when we gather en masse for a "war" or even for a day-event such as a local tournament or feast.  

14th century with hood

While some participants will stick closely to one particular time period and location, some will outfit themselves with clothes from multiple countries and multiple periods (as evidenced from my own collection outlined above).  As my free time for sewing and my closet space shrinks, I have to rein in my own "oooh, shiny" magpie behavior in favor of something more focused.  No more games of "pick a period" from my closet.

14th century

Since my preferred era clothing is not always the most comfortable for outdoor day events, I think I can justify picking two periods to focus on.  But now comes the hard part: which two?  Tudor era is the easy choice, it's filling in the other that leaves me frustrated.

Do I go with 14th century "high Medieval" to make use of the fitted gowns I currently have (but would likely need to alter)?  Do I go with something earlier to better match my husband's persona and interests?  Do I go with something altogether different?  ARGH.  Have I mentioned that I am not the best at making decisions?

On a perhaps related note, why do I always look so terrible in SCA photos?!  The best of the lot is the one with Declan in it.

Photos nabbed ages ago from Facebook, by the way.  Alas, I've forgotten the photographers by now.   If they're yours and you'd credit, please let me know.  

Tarted Up: Darcy & Shawn's Wedding

My handsome fellas

After hustling to finish the border-print cherry dress last week so as to be able to wear it to a wedding, I almost didn't wear it.  Typical.  I started to have second thoughts about whether or not a cotton frock would be appropriate to wear to a late afternoon wedding.  Yes, I am ever critical of dressing appropriately.  But I do know that I have, and do, miss the mark from time to time.  I wanted to make sure that I didn't on Saturday.

Enroute

A quick review of clothing etiquette suggested that I allow the wedding invitation to be my guide.  Sometimes the invite will specify the level of dress, of course.  This one did not, but it was certainly non-traditional, so I ultimately decided to wear the dress, but to dress it up a bit.

In his suit

To emphasize the Dior-esque New Look silhouette, I wore my Morticia corset underneath.  It whittled away my waist to a gorgeous hourglass while slimming the curve of my hip.  I added seamed stockings, a touch of jewelry and wore my beloved Remix shoes in green.

I pin curled my hair in a wet-set Saturday morning and it turned out lovely.  Very 1950's Elizabeth Taylor, I thought.  Make-up was also retro, but I was most disappointed by how much my liner transferred to my upper lid.  Both the church and the reception hall were on the warmer side and I must've looked like I was melting by the halfway point of the evening.  As such, not many photos of me were taken.

ALL DONE: Cherry, border-print dress

Well, as of last night my new cotton dress is finished!

Yesterday, I added the fuller skirt (definitely the way to go), put in a lapped zipper, hand sewed on buttons, hemmed the skirt, and made a matching cummerbund.

This morning, I decided to give it a wash (I did chose cotton partly for easy care, after all).  In the wash, the cummerbund lost a bit of gathering stitches (easily mended), and the dress bodice lost some stitches tacking down the facings (another easy fix).

Post-mortem:

• I MUCH prefer using my toile/muslin as my pattern (versus using the tissue paper).  Using the waxy paper, I transferred the pattern information from the tissues to the muslin, which I later used as not only my pattern, but my underlining.
• I'm in love with underlining.  It's given the bodice great body, and since I've used cotton I've not compromised the dress' comfort.  I did not underline the skirt, which is fine, but I think that next time I will.
• Horsehair hem tape is divine, but I think that I'll try to find the better (thicker than a half-inch) tape for a full skirt.
• Fitting by my lonesome is a less-than-ideal, but necessary evil at this point.  While I have a helpful husband and daughter, I am awful at getting the information for fitting from my head to my mouth thus negating their usefulness in such an endeavor.  My dress form is a close, but not an exact match thus leading to a few inconsistencies.
• It's a mixed blessing when a dress started a week ago ends up being a touch too big by the time I'm finished thanks to more weight loss.  Yay for being closer to my pre-pregnancy size, boo for now having a slightly large dress.
• Printed border cotton will lead to some frustration when the weave shifts a touch to reveal whiter areas of the thread.  Alas, it's only a cute cotton frock.

Step Four: Scratch Head and Mumble

ARGH.

I attached the skirt and I'm now debating whether or not I should redo it.  It's okay, but not nearly as full as I'd like.  My reasons for not immediately ripping it off and adding more (I have plenty of fabric left) is that I hate, HATE, HAAATE gathering fabric.  Just gathering the fabric to attach it to the skirt, I broke the thread once and nearly dissolved into all manner of cursing.

If I had some cording, I could do the zig-zag trick, but I'm wishing instead for enough money to buy a ruffler foot.

Edited to add: I've ripped the skirt off. Now just trying to determine the best amount of fabric to give the gathered skirt a nice, full silhouette.

Step Three: Construct bodice

Pre-adjusted side-seams

My dress bodice is almost complete!

After transferring my pattern to my toile, I basted it together and attempted to fit it to myself. This is always a challenge as I loathe bugging anyone for help. Typically I a test-fit by trying the item on, observing problem areas, then putting the garment onto my dress form to make corrections.

This time the fit was largely okay--would've worked for off the rack--but was a touch large in the bust. Fit fine around the waist, though, so I just lengthened a couple of darts and made note that I still might need to take in the side seams a touch.

Checking the side-seams

Once my toile was altered, it was time to hand baste it to the fashion fabric--a process that went quicker than I figured and was more enjoyable than assumed.

Tuesday I was able to assemble the bodice. Another test-fit revealed that I would need to adjust the side seams, but it was easy work.

Post-adjustment--looks MUCH better!

The most challenging step so far was in trying to turn the bias casing that was supposed to be the button loops. I tried with my bodkin. I tried with needle and thread as suggested in the pattern directions. Heck, even Brian gave it a go. We just could get the blasted tape to turn, so I grabbed some bias tape from my sewing kit and improvised.